ANGIE .

THE 4 BUCKETS THAT DECIDE PERFORMANCE

Most problems fall into four buckets: the idea you chose, how you tell the story, how you hook attention, and how you edit for comprehension. Diagnose which bucket is leaking first, then fix that before polishing the rest.

START HERE: IDEAS ARE THE REAL CAKE

Hooks and editing matter, but weak ideas cap your views no matter how good your execution is. If the topic framing isn’t compelling, people will not click or stay. Fix ideas first, then story, then hooks, then edits.

IDEAS: MAKE YOUR TOPIC INSTANTLY INTERESTING

IDEA PROBLEM 1: NOT INTERESTING ENOUGH

If viewers feel they’ve heard the topic many times, they tune out. Interestingness comes from novelty: either a truly new topic, or a new angle on a common topic. Same subject, different frame, higher curiosity.

FIX: 360 MAPPING (ANGLE DISCOVERY)

Take your topic and list every possible fact, opinion, implication, and “what if” take around it. You are expanding the idea space before choosing the angle. The goal is not more info, it’s finding the sharpest wedge.

FIX: SHOCK SCORE YOUR ANGLES (1–100)

For each angle, score shock from 1–100 by imagining 100 people in a room. If you say the angle out loud, how many would be surprised? Higher shock tends to equal higher interest. Pick the top shock score as your frame.

EXAMPLE: SAME TOPIC, MULTIPLE FRAMES

A topic can be framed as reporting facts, explaining science, telling history, or proposing a shocking ‘what if.’ The ‘alien spacecraft’ frame beats the ‘newscaster facts’ frame because it creates stronger surprise and curiosity.

IDEA PROBLEM 2: NOT SHAREWORTHY

Virality comes from shares, either from the algorithm or people sending it to others. If your shares are low, the content didn’t feel “worth forwarding.” Viewers see hundreds of videos daily and share only a tiny fraction.

FIX: ENGINEER EMOTIONAL TRANSFER

People share to transfer emotion: shock, fear, joy, intrigue, sadness, or ‘this is too useful not to share.’ Design a moment that creates a strong feeling, then your viewer instantly thinks of someone else to send it to.

IDEA PROBLEM 3: TAM TOO SMALL

TAM is total addressable market: out of 100 people, how many would care about the topic at all? If the core interest pool is tiny, views hit a ceiling. Bigger TAM topics include money, business, health, family, relationships.

FIX: WRAP NARROW NICHES IN BROAD FRAMES

Keep your niche expertise, but package it in a broader frame that more people can relate to. Example: instead of ‘vintage Jeep review,’ frame it as ‘most expensive Jeep,’ ‘celebrity collection,’ or ‘Jeep vs Lamborghini internals.’

FAST METHOD: REMIX WHAT ALREADY WORKED

Pull proven topics from top creators in your niche. Then redo 360 mapping and select a more shocking or more interesting frame. You are not copying, you are upgrading the angle. This closes the gap when the category is saturated.

STORYTELLING: MAKE IT ONE BITE, NOT A BUFFET

STORY PROBLEM 1: OVERSTUFFING

Short-form works as mini bursts: one topic, one takeaway. If you cram 3–5 main ideas, viewers can’t absorb it on the feed. Your goal isn’t to prove how much you know, it’s to deliver one clear wedge fast.

FIX: COUNT UNIQUE IDEAS IN YOUR SCRIPT

Audit your script and count distinct ideas. You want one core idea. At most, add one or two supporting lines that reinforce the main point. If multiple points require explanation, split them into separate videos and post a series.

STORY PROBLEM 2: FAILS WITH SOUND OFF

A large portion of feed viewers watch with sound off, often in public or at work. If your video can’t be followed visually, retention collapses. Your text-on-screen and visuals must carry meaning without audio.

FIX: THE SILENT WATCH TEST

Open your last video, turn volume to zero, and watch. If you get lost, new viewers will get lost faster. Improve visual clarity: tighter captions, clearer on-screen steps, better illustrative clips, or simpler A-roll with readable text.

STORY PROBLEM 3: POOR SPEED TO VALUE

Viewers decide quickly whether to stay. If you bury the payoff, they bounce before they trust you. The first 1–2 sentences must tease the benefit, then you must deliver the promised value as early as possible.

FIX: BOLD THE VALUE LINE, THEN LEAPFROG IT

Highlight the first line where the value actually begins. Everything above it is friction. Rewrite so that value line moves up to the top, then support it with context after. This single change can lift retention dramatically.

STORY PROBLEM 4: BORING, FLUFFY SENTENCES

If your script contains unnecessary lines, the story drags and attention decays. Short-form isn’t a movie ticket. Viewers aren’t captive. Every sentence must earn its place: story-critical fact, unique take, or essential context.

FIX: THE $100-PER-WORD EDIT

Pretend every word costs $100. You will instantly delete fluff, repeats, and slow setups. Keep only what moves the story forward or increases clarity. Compression is respect for the viewer’s time and increases completion.

HOOKS: MAKE RELEVANCE AND CURIOSITY OBVIOUS

HOOK PROBLEM 1: ‘WHY SHOULD I CARE?’

After your hook, viewers must immediately understand what’s in it for them. If you don’t signal relevance and benefit, they leave. Speak like you’re talking to one person in the room, not broadcasting to everyone.

FIX: ADD THE ‘FOR YOU’ TRANSLATION

Rewrite your first line so it clearly implies the outcome: what they will learn, avoid, gain, or feel. If the viewer can’t quickly decide “this is for me,” they won’t stay long enough to discover your value.

HOOK PROBLEM 2: NOT CURIOUS ENOUGH

If you introduce a new claim without a comparison, it doesn’t land. Curiosity comes from contrast: something they know versus something surprising. Without a relatable benchmark, the words don’t create a mental reaction.

FIX: RELATIVE COMPARISON (CONTRAST)

Instead of comparing to an obscure reference, compare to something everyone understands. ‘Hotter than asphalt’ is vague. ‘Hotter than the surface of the sun’ creates instant context and curiosity. Contrast is the engine.

HOOK PROBLEM 3: HOOK ALIGNMENT BREAKS

A hook has three parts: the visual hook (what’s shown), spoken hook (what you say), and text hook (what’s written). If they point to different meanings, viewers get confused and leave because they can’t track the promise.

FIX: MAKE ALL 3 HOOKS MEAN THE SAME THING

Decide the single promise of the video. Then ensure visuals, spoken line, and on-screen text communicate the same promise in different forms. When aligned, the viewer understands instantly and attention stabilizes.

HOOK PROBLEM 4: VISUALS DON’T STOP SCROLL

Even a great line fails if the first visual doesn’t cut through the feed. Your opening frame must create a pattern break. This is not about adding effects, it’s about selecting a base visual that earns attention.

FIX: 4 WAYS TO STOP SCROLL VISUALLY

Use (1) an attractive or unique-looking person, (2) a recognizable person or object (celebrity, brand, known symbol), (3) atypical visuals that contrast the feed, or (4) an unusual layout/format that feels different instantly.

EDITING: OPTIMIZE FOR COMPREHENSION, NOT CHAOS

EDITING PROBLEM 1: OVEREDITING

Modern viewers are overstimulated. Piling on effects, transitions, overlays, and constant flash makes comprehension harder. High stimulation does not guarantee retention. Often, raw and clear edits win because they are easy to process.

FIX: DELETE EDITS TO INCREASE CLARITY

Separate two ideas: scroll-stopping base visual vs unnecessary editing layers. Keep the strong base visual, remove the extra noise. If an edit doesn’t increase understanding, cut it. Comprehension often improves when you simplify.

EDITING PROBLEM 2: VISUAL MISALIGNMENT

If you say one thing but show random unrelated footage, viewers feel confusion and attention decays. This applies across the whole video, not just the hook. Misalignment creates mental friction and lowers retention.

FIX: SENTENCE-BY-SENTENCE VISUAL AUDIT

Go line by line: for each sentence, confirm the visual supports the meaning. If you don’t have a good visual, use clean A-roll with readable captions instead of forcing irrelevant B-roll. Clarity beats “looking busy.”

EDITING PROBLEM 3: MUSIC VIBE MISALIGNMENT

Music shapes emotional transfer, which drives shares. If the song contradicts your tone, viewers feel the mismatch and disengage. Wrong music is worse than no music. Your audio bed should reinforce the emotion you want.

FIX: CHOOSE MUSIC THAT MATCHES THE EMOTION

Ask: what should the viewer feel, and does this track intensify it? If not, remove it. Silence with clear voice and captions often performs better than a mismatched soundtrack that confuses the emotional message.

EDITING PROBLEM 4: UNDEROPTIMIZED PACING

Pacing is the delivery speed and spacing between sentences. Too slow feels boring. Too fast feels overwhelming, especially once visuals are added. Either extreme reduces completion because it breaks comfortable processing.

FIX: THE CLOSED-EYE TEST (AUDIO-ONLY)

Listen to your video with eyes closed. If you feel bored, tighten gaps and remove dead air. If you feel overstimulated, add micro-pauses between key lines. Get audio pacing right first, then layer visuals for support.

THE COMPLETE WORKFLOW: DIAGNOSE, THEN FIX

Run this order: (1) Ideas: shock score + TAM + share trigger. (2) Story: one takeaway + sound-off clarity + speed to value + compression. (3) Hooks: relevance + contrast + alignment + scroll-stop visual. (4) Edit: clarity, alignment, music, pacing.

IF YOU WANT MORE VIEWS, USE THIS LIST

This is the ‘view maxing’ list: maximize interest, share emotion, widen TAM, deliver value early, align hooks, and simplify edits for comprehension. If your goal is revenue instead of views, you’d prioritize a different set of choices.